Heddi Craft Designs

I have a new shawl design and I’m looking for test knitters!  This is my Roxanne shawl, a rectangular lace shawl with a knitted on border.  Roxanne is a shawl that celebrates life and growth. Vining flowers and heart shaped leaf motifs combine with a deeply scalloped knitted on border to create a classic lace shawl which expresses both love and hope.  It was designed in honor of my midwife, Roxanne, who was with me for the birth of all three of my children.

This pattern begins with knitting a long, rectangular lace panel. Stitches are picked up all around this rectangle and a knitted on border is added perpendicular to the existing stitches. Both written and charted directions are given and the knitter may switch between them.

If you are interested in joining the test knit, visit my Ravelry group and look at the call for testers for this shawl.  As a thank you, I’ll send all the testers who finish by the deadline a copy of the pattern for their Ravelry library and a coupon for one additional self published pattern of mine.

One thing that I’ve learned over the past two and a half years is that designing patterns is one thing, but making sure that everything is right is another!  My first few patterns were published as free patterns and the only editing and testing was my own.  As people started to use the patterns, they found errors, which I corrected, but when I decided my next pattern would be for sale, I decided I should invest in making sure the pattern was as correct as possible before publication.

My first step was to find a tech editor.  A tech editor looks over the pattern and checks all the math.  He or she makes sure that the written directions and any charts work together properly, that the gauge and the stitch count agree with each other, and that generally the pattern is consistent in wording and format.  Tech editors don’t knit the pattern, they just make sure the math and wording are consistent and correct.

My tech editors have found my copying errors and the occasional math error.  They’ve suggested clearer wording for a complex step and noticed when I failed to include an abbreviation in my stitch glossary.  No matter how many times I go over a pattern, it seems the tech editor always finds something!

Test knitters, on the other hand, actually knit the pattern.  They take your directions and make a finished product from them.  My test knitters have occasionally found errors that the tech editor missed, but more often they give me more procedural feedback– what notes in the pattern were helpful, where they got confused, or what wording makes more senses to them.  Test knitters usually provide their own yarn and keep their finished product.  I don’t have time to knit a pattern in multiple yarns, but my test knitters almost never use the same yarn as I have used, so I get to see how different fibers and colors affect the finished product.  Not only do I get to see the variety of results, but when the test knitters link their projects to my pattern in Ravelry, other knitters can see the possibilities, too!

Thank you to all my test knitters!  You make the patterns better and for that I am grateful.  If you are interested in being a test knitter for me, please join my Ravelry group and sign up on the Test Knit thread.

 

With the publication of my new shawl, the Kerti Shawl, I thought it was time to start a Ravelry group.  You can now find me at the Heddi Craft Designs group on Ravelry, as well as on Facebook and Instagram.

I am hoping that my group will be a place to support knitters in making my patterns and to run my test knits for future patterns.  I’ve had very successful test knits using the Ravelry groups for this purpose, but with my own group I could offer one of my other patterns as additional compensation for test knitting or do giveaways for successful test knitters– things that aren’t always allowed in other test groups.

If you are interested in being notified in Ravelry when I have a new pattern to test knit, please come by and join the group and post in the Test Knit thread.

I’m very excited to announce the release of my newest shawl design, the Kerti Shawl.  It was published this week in an exclusive collection by Knitpicks called Joyful Lace.  You can find the collection on the Knitpicks website and on Ravelry.

Kerti is a feminine lace shawl featuring center panel with a latticework design.  The shawl is worked from the bottom up using a long, stretchy cast on.  The bottom border of points is created using a series of charted short rows for each point.  The body of the shawl is worked from charts in pairs of two, one for the side panels and another for the center panel. A garter stitch edge is knitted on to the top of the center panel.   Elongated bobble stitches called nupps add visual interest and texture.  The nupps could be replaces with beads or omitted if desired.

I really enjoyed working with Knitpicks on this publication and am proud to be part of such a beautiful collection!

 

 

 

When you start to design, you end up with lots of swatches.  The only way to really answer the question, “What will this pattern look like in this yarn?” is to swatch.  And the only way to make a good guess at how many stitches and rows you need to get to the size garment you want is to swatch some more and measure and count stitches and do the math.

Well, then you end up with a lot of swatches.  Some that worked, some that didn’t, some that look great but not in the project for which they were intended.

I keep my swatches in binders with the notes I used to make them together in sheet protectors.  I also file away rough drafts of patterns, graph paper filled with full sized layouts of shawls, and failed ideas.

Since I design only four or five patterns a year, I’ve only got about three of these binders filled right now.  I mostly work in fingering and lace weight yarns so the swatches aren’t very thick.  And I’ve found them useful as a reference and inspiration for new ideas.

In April I learned that the midwife who was with me for the home births of all three of my children had passed away after battling cancer.  She was a well known figure in our community and had not announced her illness– I think so she didn’t have to answer questions everywhere she went.  Roxanne was an amazing person who supported and empowered women with a seemingly inexhaustible strength.  When I read the news, I wept, even though I was on a shuttle bus to the airport among strangers.

In the last month, I’ve been trying to come to grips with the idea that I wouldn’t see her again in the community, that she would never again remember my oldest son as her best child midwife at the birth of a younger sibling.  A home birth is an intimate thing.  It’s you, your partner, the midwife, and perhaps an assistant.  Roxanne was a part of the fabric of my history of creating a family.

So I designed a shawl for her that I have been knitting.  Each stitch pattern and its arrangement has a meaning for me and is a way to work my way through my grief.  I brought it with me to Roxanne’s memorial and even though I didn’t work on it there, it sat at my feet and I mentally wove the stories of her life with the stitches.  It’s a celebration, not a lament.  The color is bright and full of life and hope– the same things that Roxanne brought to me and left with me.

Last week, I participated in the Initiate Knit Design challenged hosted by Aroha Knits.  One question that came up on the Facebook group associated with the challenge was about stitch dictionaries.  I have about two linear shelf feet of stitch dictionaries at this point and I love having so many different ones to choose from.  Above, you can see the ones I used for my current design.  I ended up using elements from four out of the five for my current design.

There are books that are meant to be only stitch dictionaries, with no patterns included, and those are what I have the most of.  Some of my favorites include:

• Barbara Walker’s Stitch Treasuries– I have three of the four volumes.
• The Harmony Guides– I have all of these, including the crochet ones.
• Vogue Stitch Dictionaries– I have a couple of these and a little five volume set of small guides.
• Japanese Stitch Dictionaries– the lace one pictured above with 300 in the title is one I’ve used many times.  All the patterns are charted and it’s easy to see what you are getting.
• Nicky Epstein’s edging series– Knitting on the Edge, Knitting over the Edge, etc.

I also have a number of one volume stitch dictionaries, I tend to go for ones that have charted patterns these days.  These include German and Estonian books, some of which are still in the native language.

But there are also books like The Magic of Shetland Lace Knitting that are about shawl design and happen to have a stitch dictionary included or books that contain so many charted patterns that I can isolate and modify elements from the charts, essentially treating them like stitch dictionaries.

I’ve also found that although there is a lot of overlap between books, sometimes a pattern or a variation will appeal to me in one book even though I passed it over in another because of the yarn choice or variations in the stitch count that make the sample jump out at me.

So if you are designing, I suggest buying as many stitch dictionaries as you can.  I keep sticky note markers on the front pages of them all so I can mark interesting ideas as I go.  I’ve found them all to be worthwhile investments!

Last week I participated in the Initiate Knit Design challenge hosted by Francoise Danoy of Aroha Knits.  Frenchie not only designs but she also teaches and she hosted the five day challenge to launch her course “Manifest Your Inner Designer.”  Although I’ve been designing for over two years now, I’m always eager to learn more and participating in the challenge encouraged me to complete a shawl design that’s been knocking around in my head this month.

Day 1 was creating a mood board.  I don’t usually do this formally, though for this project I had a specific theme in mind.  My midwife, who was with me for the birth of all three of my children, passed away this month and I wanted to honor her with a shawl design.

My mood board was about images that represented birth, growth, and passage.

I don’t usually create mood boards in my own design process, so this was a stretch for me.  Often I will start with a yarn, a stitch pattern, or sometimes a garment shape, combined with a general mood or feeling I’m trying to evoke.  I cheated a bit, because when I started the challenge, I already had a yarn in mind, one stitch pattern I wanted to use, and a tentative plan for a shape.  So my images were picked with those things already in mind.

Day 2 was drawing a sketch and Day 3 was picking and swatching stitch patterns.  I will often sketch to rough out different textures within a shape, but only after I have swatched a number of potential patterns.  So on Day 2, I did make a sketch, but only after looking at a lot of stitch dictionaries.

Day 3 wasn’t really enough for swatching for me.  This is the place where I tend to spend a lot of time and my swatching went on through the next two days as well.  I tried out several patterns in isolation and then I started combining things.  For this challenge, I ripped out swatches as soon as I knew they weren’t looking right for my pattern, but I often keep on with a swatch till it’s finished and store those in binders for future reference.  To the left are some of the stitch patterns I tried and below you can see a larger swatch with the patterns combined and a border I added on to test it.  Even this doesn’t represent my final pattern because I decided to eliminate the two yarnover columns on the outside edges of the shawl.

In Day 4 we were asked to make calculations.  I eventually filled this whole page with calculations because in addition to size and number of repeats,  I had the added restriction in this design of only one skein of the yarn I wanted to use.  So I moved back and forth between my kitchen gram scale and paper, weighing my swatch, calculating the repeats, then adding the border and calculating that.  Finally, I double checked my work by using the weight of the swatch and my estimated size and making sure that they made sense.

The final part for Day 5 was to write the pattern or start knitting and write as you go.  I like to write a page of what I call “basic directions” to start.  I write out all the basic information about how I plan to make the garment so that I can follow my own directions and see if I missed anything.  I don’t format it to fit my template, and I will often pencil in details or useful notes as I work.  My design ended up being three columns wide with a generous border so the final rectangular shawl will be about 19″ by 63″

I decided to set aside the design I’m currently making the sample for in order to work on this.  My current design is a fall garment and this one is a great spring and summer design, so I think that makes sense.

Overall, it was very inspiring to see so many other people participating in the challenge and look at the other designs as they progressed over the week.  Frenchie offered daily encouragement and I think her class would be very informative for new designers.

And now I’m off to knit!

When performing improvisationally, there is a “yes and” rule that says that you accept the contributions of other in the improv and that you always add your own bit as well.  Although I sometimes believe I am the boss of my designing and in total control, other days I have to admit that the design is ultimately an improvisation between myself, the yarn, and the pattern.  The pattern or the yarn try to tell me something and I need to say, “Yes, and….”

Last week I wrote about my current design and how it wasn’t working out.  This week the old yarn is rapidly being made into a sweater (LivedIn by Alicia Plummer).  I think it is happier in its life now that it is being held double and knit on size 10.5 needles.

I swatched a new yarn, with a new stripe pattern.  Of my possible solutions last week, I implemented two of them: larger yarn (DK weight vs. fingering) and a new stripe pattern using some other stripe designs from my swatches back in November.  Now I have a very easy to memorize four row repeat for the main body of the shawl cardigan with less stitches overall and although there is still an eight row repeat in the border, it is also pretty easy to remember once you’ve done it a few times.

At my knitting group, they asked why I wasn’t just holding the old yarn double with the new stripe pattern.  Although it’s working out great held double for a sweater that’s virtually all stockinette, I wouldn’t want to deal with the chainette yarn held double with a lot of stitch manipulation because it’s a bit splitty.

If you have an iPad (or soon an Android tablet), you should know about Knit Companion.  This is a handy app that allows you to manipulate pdf knitwear patterns so that you can easily knit from the pattern, complete with row counters, magic markers that allow you to keep track of certain special stitches, and even combining charts so you don’t have to flip between pages.  Although knitters can set up a PDF pattern themselves in Knit Companion, many patterns are available that already have the set up work done for you in the kCDesigns shop!

I’m excited to announce that my patterns are now available in kCDesigns!